All photographic credits Aenne Pallasca
For those of you that didn’t know, there was a last minute recast for this one-woman play. Because of this, the actress, Sara Lloyd-Gregory, had only been learning the part for a week prior to the performance that I saw. I’ll admit I was very hesitant as to how professional the acting would be as Sara would perform script in hand. I was worried that it would be too clinical or too choppy. However, I was SO wrong about this! Sara is such an amazing actress and she didn’t even seem to reference to the script until the latter half of the play which was extremely impressive.
Sand was a heart breaking tale that had you hooked before the first word was even spoken.
The set itself was designed so effectively with four ‘light tunnels’ surrounding Sara. They gave a futuristic effect with supported the plot so well. The way that Katy Morison, the lighting designer, arranged how to adjust the lighting along with the script was done beautifully and kept you interested.
The wording used during the play was extremely powerful into hinting to the deeper plot, especially the differentiation in pronoun use.
Sand is definitely a performance that I would highly recommend, whether it’s something you would be interested in purely for entertainment, or even if you are a writer yourself and want to pick up some inspiration from wonderfully unique productions. I have only seen two productions from The Other Room and, in all honesty, I am already completely hooked on the atmosphere and the pure talent.
Director – Kate Wasserberg
Designer – Amy Jane Cook
Design Assistant – Oliver Harman Assistant Director – Bruno León Cháves Lighting Designer – Katy Morison Season Sound Designer – Dyfan Jones Sound Design – Sam Jones
Production Stage Manager – Steffi Pickering Assistant Stage Manager – Izzy Rabey Scenic Construction – Eifion Porter